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Synopsis
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Poor Charlie lives in a vacant lot. He tries to get a job but when he gets to the head of the employment line the jobs are gone. Back "home" he rescues Scraps, a bitch being attacked by other strays. Together they manage to steal some sausages from a lunch wagon. They enter a dance hall where Edna is a singer and unwilling companion to the clientele. He is thrown out when he can't pay. Back "home" Scraps digs up a money-filled wallet buried by crooks. They return to the dance hall to find Edna fired. The wallet goes back and forth between Charlie and the crooks. Charlie, Edna and Scraps end up very happily
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Details
Language: Silent
Year of production: 1918
Length: 32min 27sec
Country: United States
Suggested by:
Baxter Martin
Directors:
Producers:
Actors:
Edna Purviance ... Bar singer
Syd Chaplin ... Lunchwagon owner
Henry Bergman ... Fat unemployed man/Dance-hall lady
Charles Reisner ... Employment agency clerk
Albert Austin ... Crook
Tom Wilson ... Policeman
M.J. McCarthy ... Unemployed man
Mel Brown ... Unemployed man
Charles Force ... Unemployed man
Bert Appling ... Unemployed man
Thomas Riley ... Unemployed man
Slim Cole ... Unemployed man
Ted Edwards ... Unemployed man
Louis Fitzroy ... Unemployed man
Dave Anderson ... Unemployed man
Granville Redmond ... Dance-hall proprietor
Minnie Chaplin ... Dance-hall dramatic lady
Alf Reeves ... Man at bar
N. Tahbel ... Hot tamale man
Rob Wagner ... Man in dance hall
L.S. McVey ... Musician
J.F. Parker ... Musician
Bud Jamison ... Crook
J. Parks Jones ... Man in dance hall (as Park Jones)
James T. Kelley ... Man at hot dog stand
Janet Miller Sully ... Woman in dance hall
Loyal Underwood ... Man in dance hall
William White ... Man in dance hall (as Billy White)
REVIEWS FOR: A Dog's Life
Chaplin's "A Dog's Life"
“A Dog’s Life” (1918, USA, Chaplin)
“A Dog’s Life” is a pleasant even flow of Chaplin’s finer moments. His character is a good mix of a clueless boob and savvy street survivor without the violent streak Chaplin exhibits in other shorts. A scene where Charlie goes to an employment office and gets beat to the window several times for a brewery job when he was first in line shows Chaplin’s hobo to be the inept person he can be. However, this is a man who would take a thief’s buried loot to finance his own future with a farm, wife, dog and puppies rather than to drink it or gamble it away as it seems most of the other characters in his world would seem content to do. Great Chaplin gags throughout! The lunch cart scene of hilarious thievery marks the first collaboration between he and younger brother Sydney Chaplin. A personal favorite is when Charlie starts to explain to a cop that the brick in his hand is for playing fetch with his dog.
This film was the first picture on a new contract with First National Films in 1918 after spending the previous three years with Mutual establishing himself as one of films most highly paid actors. His pace of films would now slow, the films themselves getting longer and better, not quite so frantic. “A Dog’s Life” was Charlie’s 64th as an actor and 50th as director.



























