THE RED SHOES. Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart.
BLACK SWAN. Nina (Natalie Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Barbara Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth MacIntyre (Winona Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Mila Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality.
BILLY ELLIOT is the coming-of-age story of a young boy, Billy, who through his unexpected love of dance, embarks on a journey of self-discovery in the world of picket lines, cultural stereotypes, a family in crisis and a headstrong ballet teacher. When eleven-year-old Billy (Jamie Bell) stumbles across a local ballet class that comes to share the village hall with his boxing club, something in the magic of the movements captures his imagination, and he's soon ditching his boxing gloves to sneak in at the back of Mrs. Wilkinson's (Julie Walters) lessons. With a sharp eye for talent, Mrs. Wilkinson's zest for teaching is revived when she sees Billy's potential. Rather forgetting the other ballerinas, she's drawn into teaching her raw new protégé.
FIRST POSITION. Documentary that follows six young dancers as they prepare for the Youth America Grand Prix. Every year, thousands of aspiring dancers enter one of the world’s most prestigious ballet competitions, the Youth America Grand Prix, where lifelong dreams are at stake. In the final round, with hundreds competing for only a handful of elite scholarships and contracts, nothing short of perfection is acceptable. Bess Kargman’s award-winning, box office hit documentary FIRST POSITION follows six extraordinary dancers as they prepare for the chance to enter the world of professional ballet, struggling through bloodied feet, near exhaustion and debilitating injuries, all while navigating the drama of adolescence.
LIMELIGHT. Chaplin's final American film tells the story of a fading music hall comedian's effort to help a despondent ballet dancer learn both to walk and feel confident about life again. The highlight of the film is the classic duet with Chaplin's only real artistic film comedy rival, Buster Keaton.
It won the best original score in the 43th Academy Awards ceremony in 1973, because the film was not released in Los Angeles until 1972. Under the Academy rules at the time being, this permitted it to be eligible despite of being 20 years old.
Ballet and Movies. Created by HRCine (Historiasyrelatos3)